{"id":5070,"date":"2026-07-14T08:16:15","date_gmt":"2026-07-14T06:16:15","guid":{"rendered":"https:\/\/www.jpcompany.it\/ombramagazine\/?p=5070"},"modified":"2026-07-14T11:41:52","modified_gmt":"2026-07-14T09:41:52","slug":"shots_20-roberta-putignano","status":"publish","type":"post","link":"https:\/\/www.jpcompany.it\/ombramagazine\/shots_20-roberta-putignano\/","title":{"rendered":"SHOTS_20 – Roberta Putignano"},"content":{"rendered":"\n

Guest 2026 per gli Italian Cinematography Awards – ICA<\/em><\/p>\n\n\n\n

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BIO<\/strong><\/p>\n\n\n\n

Laureata in DAMS-Cinema e specializzata in produzione cinematografica, dal 2014 dirige la societ\u00e0 Recplay, sviluppando e coproducendo film con partner come Rai Cinema. Con oltre vent’anni di esperienza nel settore audiovisivo, si occupa di produzione, regia, comunicazione e progettazione culturale. Docente di produzione audiovisiva da oltre dieci anni, collabora con enti di formazione e istituzioni.\u00a0<\/p>\n<\/div>\n\n\n\n

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BIO<\/em><\/p>\n\n\n\n

With a degree in DAMS-Cinema (Department of Arts, Music and Entertainment) and a specialization in film production, she has been directing the company Recplay since 2014, developing and co-producing films with partners such as Rai Cinema. With over twenty years of experience in the audiovisual sector, her work spans production, directing, communication and cultural planning. A lecturer in audiovisual production for over ten years, she collaborates regularly with training institutions and organizations.<\/p>\n\n\n\n

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Se per un regista l\u2019ispirazione nasce da un\u2019immagine o da un volto, per chi produce coincide spesso con l\u2019urgenza di dare luce a un\u2019idea. Qual \u00e8 la tua \u201cmusa\u201d editoriale? Quell\u2019elemento preciso in una sceneggiatura o in un talento che ti fa dire: \u201cQuesto progetto deve esistere\u201d?<\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Mi devo innamorare in primis dell\u2019idea, poi mi colpiscono l\u2019urgenza narrativa e la sincerit\u00e0 del racconto, l\u2019incontro tra necessit\u00e0 e visione. Devo percepire qualcosa di autentico e necessario per credere nel progetto, devo avvertire un potenziale perch\u00e8 deve essere capace di distinguersi, deve saper dialogare con il pubblico e deve saper trasmettere un messaggio profondo in un modo inedito.<\/p>\n\n\n\n

Ci sono opere cinematografiche o seriali che custodisci non solo come spettatrice, ma come coordinate emotive e professionali nel tuo lavoro quotidiano?<\/strong><\/p>\n\n\n\n

S\u00ec, ci sono opere che considero delle bussole emotive perch\u00e8 mi ricordano la capacit\u00e0 del cinema e dell’audiovisivo di creare connessioni, suscitare domande e lasciare tracce durature. Per quanto riguarda la visione estetica amo la simmetria di Kubrick e Wes Anderson ma custodisco con cura anche le immagini meno costruite legate al cinema del reale perch\u00e8 sono un\u2019amante della verit\u00e0.<\/p>\n<\/div>\n\n\n\n

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If for a director inspiration stems from an image or a face, for a producer it often coincides with the urgency of bringing an idea to light. What is your editorial “muse”? What precise element in a script or a talent makes you say: “This project needs to exist”?<\/strong><\/em><\/strong><\/p>\n\n\n\n

First and foremost, I have to fall in love with the idea. After that, I am struck by the narrative urgency and the sincerity of the story\u2014the intersection of necessity and vision. I need to perceive something authentic and necessary to truly believe in the project. I have to sense a certain potential, because it needs to be capable of standing out, communicating with the audience, and conveying a deep message in a completely novel way.<\/em><\/p>\n\n\n\n

Are there any films or series that you cherish not just as a viewer, but as emotional and professional coordinates in your daily work?<\/em><\/strong><\/p>\n\n\n\n

Yes, there are works I consider true emotional compasses because they remind me of the power that cinema and audiovisual media have to create connections, provoke questions, and leave lasting impressions. When it comes to aesthetic vision, I love the symmetry of Kubrick and Wes Anderson, but I also deeply cherish less constructed images linked to documentary cinema (cinema del reale), because I am a lover of truth.<\/em><\/p>\n<\/div>\n<\/div>\n\n\n

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Ogni produzione \u00e8 un micro-universo che si crea e si dissolve, lasciando qualcosa di profondo in chi lo ha orchestrato. Pensando alle tue sfide pi\u00f9 recenti, qual \u00e8 l\u2019ultima cosa che hai scoperto o riscoperto su te stessa, nel silenzio che segue la fine di un set?<\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Ho prodotto nel tempo cortometraggi, documentari e pubblicit\u00e0 con dinamiche diverse ma in comune c\u2019\u00e8 un lavoro di squadra, una pianificazione ed anche l\u2019incertezza quindi \u00e8 fondamentale la capacit\u00e0 di adattarsi all\u2019imprevisto ed \u00e8 spesso nelle difficolt\u00e0 che emergono le risorse pi\u00f9 preziose. \u00e8 necessario molto coraggio e tanta pazienza. Quando tutto si conclude e arriva il silenzio ti accorgi che il percorso ti ha trasformato.  \u00e8 un mestiere che ti tempra nella vita. Ti gratifica e ti delude.<\/p>\n<\/div>\n\n\n\n

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Every production is a micro-universe that is created and then dissolves, leaving something profound in whoever orchestrated it. Thinking about your most recent challenges, what is the last thing you discovered or rediscovered about yourself in the silence that follows the end of a wrap?<\/em><\/strong><\/p>\n\n\n\n

Over time, I have produced short films, documentaries, and commercials, all with different dynamics. However, what they have in common is teamwork, planning, and also uncertainty. Therefore, the ability to adapt to the unexpected is fundamental, and it is often during difficulties that the most valuable resources emerge. It requires a lot of courage and a great deal of patience. When everything comes to an end and the silence arrives, you realize that the journey has transformed you. It is a profession that tempers you for life. It rewards you, and it disappoints you.<\/em><\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Il cinema, visto da fuori, sembra fatto solo di magia e illusioni; per chi lo produce, invece, \u00e8 un mestiere di estrema lucidit\u00e0 e concretezza. Qual \u00e8 l\u2019ultimo \u201cfalso mito\u201d o clich\u00e9 su questo mondo di cui ti sei liberata, scoprendo magari una tua nuova e pi\u00f9 forte maturit\u00e0 professionale?<\/strong><\/strong><\/strong><\/p>\n\n\n\n

Con gli anni ho abbandonato l\u2019idea che un buon produttore debba avere sempre tutto sotto controllo. Ho capito che la competenza non sta nel prevedere ogni eventualit\u00e0, ma nel sapersi orientare anche quando le circostanze cambiano senza preavviso. Il lavoro nel cinema  – e nel mondo dell\u2019audiovisivo in generale – richiede un continuo dialogo tra visione e realt\u00e0, tra creativit\u00e0 e capacit\u00e0 di risolvere problemi. La maturit\u00e0 professionale \u00e8 arrivata quando ho iniziato a vedere l\u2019imprevisto non come un ostacolo da evitare, ma come una parte inevitabile e spesso preziosa del processo creativo e produttivo. Il sistema \u00e8 a dir poco  particolare e lavorare con i fondi pubblici implica un impegno enorme con attese spesso estenuanti. Con gli anni mi sono anche allontanata da determinate dinamiche per una scelta personale.<\/p>\n<\/div>\n\n\n\n

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Seen from the outside, cinema seems to be made entirely of magic and illusions; for those who produce it, however, it is a profession of extreme lucidity and concreteness. What is the latest “false myth” or clich\u00e9 about this world that you have broken free from, perhaps discovering a new and stronger professional maturity?<\/em><\/strong><\/p>\n\n\n\n

Over the years, I have abandoned the idea that a good producer must always have everything under control. I realized that competence does not lie in predicting every single eventuality, but in knowing how to navigate even when circumstances change without warning. Working in film\u2014and in the audiovisual world in general\u2014requires a continuous dialogue between vision and reality, between creativity and problem-solving skills. Professional maturity came when I started viewing the unexpected not as an obstacle to be avoided, but as an inevitable and often precious part of the creative and production process. The system, to say the least, is quite peculiar, and working with public funds implies a massive commitment with often exhausting wait times. Over the years, I have also distanced myself from certain dynamics as a personal choice.<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n

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In un mercato che tende sempre pi\u00f9 alla standardizzazione e ai formati preconfezionati dagli algoritmi, come si protegge la biodiversit\u00e0 culturale di una storia? Cosa significa per te, oggi, difendere l\u2019artigianato del cinema?<\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

L\u2019intelligenza artificiale sta cambiando anche il modo di lavorare, gli algoritmi invece sono strumenti utili per comprendere tendenze e comportamenti ma non possono sostituire la capacit\u00e0 di intercettare ci\u00f2 che ancora non esiste, l\u2019intuizione e il rischio creativo. Per proteggere la biodiversit\u00e0 culturale bisogna capire che un lavoro \u00e8 fatto di ascolto, cura e responsabilit\u00e0, che mette al centro le persone e le idee prima dei modelli e delle statistiche. \u00c8 l\u00ec che il cinema continua a rinnovarsi e a conservare la sua forza culturale. Per difendere l\u2019artigianato bisogna credere che ogni progetto ha bisogno di un percorso su misura ed \u00e8 necessario per dare qualit\u00e0 ai dettagli.<\/p>\n<\/div>\n\n\n\n

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In a market that increasingly tends toward standardization and formats pre-packaged by algorithms, how do you protect the cultural biodiversity of a story? What does defending the craftsmanship (artigianato<\/em>) of cinema mean to you today?<\/em><\/strong><\/p>\n\n\n\n

Artificial intelligence is changing the way we work as well. Algorithms, on the other hand, are useful tools for understanding trends and behaviors, but they cannot replace the ability to intercept what does not yet exist, nor can they replace intuition and creative risk. To protect cultural biodiversity, we must understand that this work is made of listening, care, and responsibility\u2014it places people and ideas at the center, ahead of models and statistics. That is where cinema continues to renew itself and preserve its cultural strength. To defend this craftsmanship, we must believe that every project needs a tailor-made path, which is essential for bringing quality to the details.<\/em><\/p>\n<\/div>\n<\/div>\n\n\n

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E.T. l’extra-terrestre – regia di Steven Spielberg<\/figcaption><\/figure>\n<\/div>\n\n\n
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Se dovessi scegliere una singola inquadratura della storia del cinema per spiegare a qualcuno cosa \u00e8 la settima arte, quale fotogramma sceglieresti? <\/strong><\/strong><\/p>\n\n\n\n

Scelgo un\u2019immagine importante e simbolica legata alla magia del cinema creata all\u2019inizio degli anni \u201880, una vera e propria sintesi visiva dell’idea di cinema come meraviglia, capace di raccontare una storia in un unico fotogramma.<\/p>\n\n\n\n

Questo frame ha la capacit\u00e0 di trasportarci oltre i confini della realt\u00e0, permettendoci di osservare il mondo con nuovi occhi grazie al potere dell\u2019immaginazione.Non sorprende che questa silhouette sia diventata il simbolo della Amblin Entertainment, la casa di produzione fondata da Steven Spielberg. In un unico fotogramma si ritrovano infatti i temi che attraversano gran parte del suo cinema: la meraviglia che irrompe nella quotidianit\u00e0, lo sguardo dell\u2019infanzia, il desiderio di avventura e il sottile confine tra realt\u00e0 e sogno<\/p>\n<\/div>\n\n\n\n

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What is the single image (a photograph, a film frame, a piece of art) that best represents the very essence of cinema for you?<\/strong><\/em><\/em><\/p>\n\n\n\n

I choose an important and symbolic image tied to the magic of cinema created in the early 1980s\u2014a true visual synthesis of the idea of cinema as wonder, capable of telling a story in a single frame.<\/p>\n\n\n\n

This frame has the ability to transport us beyond the boundaries of reality, allowing us to observe the world with new eyes thanks to the power of imagination. It is no surprise that this silhouette became the symbol of Amblin Entertainment, the production company founded by Steven Spielberg. Indeed, contained within a single frame are the themes that run through most of his cinema: wonder breaking into everyday life, the gaze of childhood, the desire for adventure, and the thin line between reality and dreams.<\/p>\n\n\n\n

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Sito ufficiale Italian Cinematography Awards : www.italiancinematographyawards.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Guest 2026 per gli Italian Cinematography Awards – ICA BIO Laureata in DAMS-Cinema e specializzata in produzione cinematografica, dal 2014 dirige la societ\u00e0 Recplay, sviluppando e coproducendo film con partner come Rai Cinema. Con oltre vent’anni di esperienza nel settore audiovisivo, si occupa di produzione, regia, comunicazione e progettazione culturale. Docente di produzione audiovisiva da […]<\/p>\n","protected":false},"author":3,"featured_media":5085,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[68],"tags":[104,89,87,90],"class_list":["post-5070","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-shots","tag-stana-minincic","tag-cinema","tag-ombrmagazine","tag-shot","entry"],"yoast_head":"\nSHOTS_20 - Roberta Putignano - Ombra Magazine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jpcompany.it\/ombramagazine\/shots_20-roberta-putignano\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SHOTS_20 - Roberta Putignano - Ombra Magazine\" \/>\n<meta property=\"og:description\" content=\"Guest 2026 per gli Italian Cinematography Awards – ICA BIO Laureata in DAMS-Cinema e specializzata in produzione cinematografica, dal 2014 dirige la societ\u00e0 Recplay, sviluppando e coproducendo film con partner come Rai Cinema. 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