{"id":4311,"date":"2022-09-07T12:17:35","date_gmt":"2022-09-07T10:17:35","guid":{"rendered":"https:\/\/ombramagazine.com\/?p=4311"},"modified":"2022-09-07T12:17:36","modified_gmt":"2022-09-07T10:17:36","slug":"clelia-cadamuro-i-sensi-dellisola","status":"publish","type":"post","link":"https:\/\/www.jpcompany.it\/ombramagazine\/clelia-cadamuro-i-sensi-dellisola\/","title":{"rendered":"Clelia Cadamuro – I sensi dell’isola"},"content":{"rendered":"\n
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Ciao Clelia, parlaci un po’ di te e di come ti sei avvicinata alla fotografia.\u00a0<\/strong><\/p>\n\n\n\n

Sono cresciuta a Milano, ma da diversi anni ormai la mia citt\u00e0 \u00e8 Venezia. Fin da adolescente ho portato avanti parallelamente due interessi, quello per la fotografia e quello per la pittura. Mi sono avvicinata alla fotografia attraverso la fotografia analogica; ho avuto la fortuna di poter allestire una piccola camera oscura in casa fin da ragazzina, dove facevo prove, sovrapposizioni, fotogrammi, esperimenti da autodidatta. A pensarci ora, in quel periodo avevo un approccio tendenzialmente pittorico nei confronti dell\u2019immagine fotografica; mi sono con gli anni poi resa conto che pittura e fotografia sono per me entrambi linguaggi importanti, che tendono a contaminarsi l\u2019un l\u2019altro e che influenzano in maniera complementare la mia poetica. Successivamente ho frequentato dapprima la triennale in Pittura all\u2019Accademia di belle arti di Venezia e successivamente il biennio di fotografia all\u2019ISIA di Urbino. <\/p>\n\n\n\n

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Come \u00e8 nato il progetto “I sensi dell\u2019isola”?<\/strong>\u00a0<\/p>\n\n\n\n

Il progetto \u00e8 nato da una raccolta di immagini spontanee, scattate nell\u2019arco di diversi anni; dal 2014 vivo a Venezia e anche mentre frequentavo l\u2019Accademia di Belle Arti ho sempre continuato a scattare fotografie su pellicola della mia quotidianit\u00e0. Pi\u00f9 tardi, negli anni, ho dato forma a questo progetto partendo da un interesse che era gi\u00e0 latente nelle immagini che scattavo in passato. <\/p>\n\n\n\n

La laguna di Venezia \u00e8 un luogo molto specifico, unico nel suo genere, e chi sceglie di rimanere e vivere in questa citt\u00e0 si accorge di essere entrato a far parte di una dimensione particolare, che segue un ritmo tutto proprio e che necessita di una certa sensibilit\u00e0 per essere compresa. Questa citt\u00e0 \u00e8 per me anche tra i luoghi che pi\u00f9 al mondo risentono dell\u2019abuso di un certo immaginario stereotipato a cui le si vede continuamente associate; inoltre, il suo carattere di isola non fa che accentuarne la peculiarit\u00e0. Il concetto di isola \u00e8, anche per etimologia, legato all\u2019isolamento; ne deriva una particolare ambivalenza tra isolamento e preservazione, si diviene universo a s\u00e9 con regole e caratteristiche proprie. La dimensione di isola, attraverso il suo aspetto morfologico, permette di rendersi isola davanti al mondo e di farsi mondo a sua volta. <\/p>\n\n\n\n

\u00c8 dalla fascinazione per questa dimensione sfuggente che \u00e8 nata questa serie di immagini dei luoghi meno conosciuti della laguna. Qui la periferia della citt\u00e0 non \u00e8 la sua parte marginale ma sono le sue isole minori. \u00c8 su questo immaginario che ho voluto quindi lavorare e, partendo da materiale scattato spontaneamente, ho iniziato a concettualizzare il progetto e a ricercare materiale pi\u00f9 specifico. Ai paesaggi, alle barene e ai particolari delle aree urbane ho poi aggiunto altri scatti che mostrano i periodi di acqua alta, che non avrei potuto escludere dal ritratto di questi luoghi.  <\/p>\n\n\n\n

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Da chi prendi ispirazione per i tuoi lavori?<\/strong>\u00a0<\/p>\n\n\n\n

Tra gli artisti che mi hanno sicuramente influenzato ci sono Wolfgang Tillmans, Victor Mann, Stephen Shore, Wim Wenders, Sigmar Polke, Jan Saudek, Werner Herzog\u2026 Sono affascinata dal lavoro di chi riesce a creare atmosfere cos\u00ec specifiche da essere tangibili attraverso l\u2019immagine, che si tratti di pittura, cinema o fotografia. <\/p>\n\n\n\n

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Qual \u00e8 la prima cosa che fai quando decidi di sviluppare un progetto?<\/strong>\u00a0<\/p>\n\n\n\n

La prima cosa che faccio \u00e8 scattare, spontaneamente, senza pensare troppo, e raccogliere materiale. La seconda \u00e8 riflettere su quello che ho raccolto: cerco i soggetti ricorrenti, guardo cos\u2019hanno in comune le immagini che preferisco e mi interrogo su cosa sia a renderle cos\u00ec interessanti ai miei occhi. Da qui comincio a restringere il campo d\u2019interesse, capendo in che direzione va la mia curiosit\u00e0 pi\u00f9 viscerale e interrogandomi sui motivi che mi spingono a creare un certo tipo di immagini. Una volta delineato un concept pi\u00f9 concreto tendenzialmente integro il materiale pi\u00f9 \u201cspontaneo\u201d con uno invece pi\u00f9 pianificato, andando a ricercare in maniera pi\u00f9 approfondita.<\/p>\n<\/div>\n\n\n\n

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Hi Clelia, tell us a little about yourself and how you approached photography.<\/strong><\/em><\/p>\n\n\n\n

I grew up in Milan, but for several years now my home has been Venice. Since I was a teenager I have pursued two parallel interests, photography and painting. I approached photography through analogic photography; as a young girl I was lucky enough to be able to set up a small darkroom in my house, there I did tests, overlays, frames, self-taught experiments. Thinking about it now, I had a pictorial approach to the photographic image then; over the years I realized that painting and photography are equally important languages \u200b\u200bfor me, they tend to contaminate each other and in a complementary way they influence me and my poetics. Afterwards I first attended a three-year course in Painting at the Academy of Fine Arts in Venice and then a two-year course in photography at ISIA in Urbino.<\/em><\/p>\n\n\n\n

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How was the “Senses of the island” project born?<\/strong><\/em><\/p>\n\n\n\n

The project was born from a collection of spontaneous images, taken over several years; I live in Venice since 2014 and even while I was attending the Academy of Fine Arts I have always continued to take shoot on film my everyday life. Later, over the years, I gave shape to this project starting from an interest that was already lurking in the images I had taken.<\/em><\/p>\n\n\n\n

The Venice lagoon is a very special place, unique in its kind, and those who choose to stay and live in this city realize that they have become inhabitants of a peculiar dimension which follows its own rhythm and needs a certain sensitivity to be understood. For me, this city is also one of those places in the world that are most affected by the abuse of stereotyped imagery; moreover its atmosphere as an island only accentuates its peculiarities. The concept of island is, also by etymology, linked to isolation; the result is an ambivalence between isolation and preservation, it becomes a universe in itself with its own rules and characteristics. The dimension of an island, through its morphological aspect, becomes an island in front of the world and becomes a world in its turn.<\/em><\/p>\n\n\n\n

From the fascination for this elusive dimension this series of images of the lesser known places of the lagoon was born. Here the outskirts of the city are not its further parts but its smaller islands. It is on this imaginary that I wanted to work and, starting from photos taken spontanously, I began to conceptualize the project and to search for more specific imagery. To the landscapes, the sandbanks and the details of the urban areas I then added other shots that show the periods of high water, which I could not have excluded from the portrait of these places.<\/em><\/p>\n\n\n\n

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Who inspires you in your works?<\/strong><\/em><\/p>\n\n\n\n

Among the artists who have certainly influenced me are Wolfgang Tillmans, Victor Mann, Stephen Shore, Wim Wenders, Sigmar Polke, Jan Saudek, Werner Herzog … I am fascinated by the work of those who created atmospheres so specific as to be tangible through the image, may it be a painting, a film or a photography.<\/em><\/p>\n\n\n\n

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What is the first thing you do when you decide to develop a project?<\/strong><\/em><\/p>\n\n\n\n

The first thing I do is shoot, without thinking too much, and collect the material. The second step is to reflect on what I have collected: I look for recurring subjects, I look at what my favorite images have in common and I wonder what it is that makes them so interesting to my eyes. From here I begin to narrow the field of interest, understanding in which direction my most visceral curiosity goes and asking myself about the reasons that pushed me to search that certain type of image. Once a more concrete concept has been outlined, I tend to integrate the more “spontaneous” material with a more planned one.<\/em><\/p>\n\n\n\n

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    Ciao Clelia, parlaci un po’ di te e di come ti sei avvicinata alla fotografia.\u00a0 Sono cresciuta a Milano, ma da diversi anni ormai la mia citt\u00e0 \u00e8 Venezia. Fin da adolescente ho portato avanti parallelamente due interessi, quello per la fotografia e quello per la pittura. Mi sono avvicinata alla fotografia attraverso la fotografia […]<\/p>\n","protected":false},"author":3,"featured_media":4314,"comment_status":"closed","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[33,38],"tags":[],"class_list":["post-4311","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fotografia","category-stories","entry"],"yoast_head":"\nClelia Cadamuro - I sensi dell'isola - Ombra Magazine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jpcompany.it\/ombramagazine\/clelia-cadamuro-i-sensi-dellisola\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Clelia Cadamuro - I sensi dell'isola - Ombra Magazine\" \/>\n<meta property=\"og:description\" content=\"Ciao Clelia, parlaci un po’ di te e di come ti sei avvicinata alla fotografia.\u00a0 Sono cresciuta a Milano, ma da diversi anni ormai la mia citt\u00e0 \u00e8 Venezia. 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